Zhang Xiaogang (born 1958, Kunming, China) is a Chinese symbolist and surrealist painter. He is famous with his Bloodline series, where mostly monochromatic, stylized portraits of Chinese people are presented as part of the artist's exploration of the 'family' concept.
Zhang Xiaogang was trained as an oil painter at the Sichuan Academy of Fine Arts. After his graduation in 1982, he joined a group of young avant-garde artists who came to international prominence in 1980. In his earlier paintings, Xiaogang explored human values through the lens of the traditions coming from the rural Chinese culture. The artist continues to work around the multifaceted concept of 'family', the notion of identity within the Chinese culture, and collectivism. His imagery is inspired by the family photos from the Cultural Revolution period, as well as the European tradition of surrealism. Xiaogang’s portraits represent an infinite genealogies, where the sitters' appearance is almost homogenous. The colour schemes, such as black and white, translate the language of photography into paint that incorporates the aesthetics of the traditional Chinese charcoal drawing, giving the image a nostalgic quality. The occasional splashes of colour and red lines running through the paintings carry a substantial part of Xiaogang's symbolic language. The use of colour has an ambivalent purpose - while it is used to idealize the sitter, the splashes also create demarcations, reminiscent of birthmarks and aged film. Xiaogang was represented in many international exhibitions including Mao Goes Pop at the Sydney Museum of Contemporary Art in 1993, Sao Paolo Biennial in 1994, and Venice Biennial in 1995.

Zhang Xiaogang

Inspired by contemporary tensions in China, Zhang Xiaogang makes grim, unsettling portraits that consider identity and heredity in a collectivist state.

"The Red Baby" belongs to the set of twenty lithographs from "The Storyteller's Enchantments of Zhang Xiaogang", which comes as a limited edition of 132 rare books.The lithographs from the set were inspired by the old family photos and represent Xiaogang's Family and Bloodlines series, where the artist explores the concept of family and collectivism in the Chinese society.

"The Red Baby" represents a child in a family contest, intimate yet detached, impersonal yet moving and nostalgic. By employing intimate subject matter related to the changing appearance of Chinese “middle class” families, the artist has opened a window whereby Chinese people might reflect upon their recent history and their future.

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“ You have to use your imagination to conjure how it was before all this. „

—Zhang Xiaogang