Best known for his photorealistic drawings, Longo explores imagery within a complex social and cultural forces. Robert Longo was born in 1953, in Brooklyn, New York, and has had a childhood fascination with mass media: movies, television, magazines, and comic books, which continue to deeply influence his art. One of the quintessential artists of the 1980s, Longo is perhaps best known for the writhing, dancing figures in his iconic Men in the Cities series.

The American artist´s drawings are, perhaps, his most iconic. They are as much about the content they depict as they are about the artist´s intense devotion to the practice of drawing. His amazingly deep, anthracite charcoal drawings show emotional motives. Perhaps the best known photorealist series of Robert Longo´s is Men in the Cities, depicting contorted, life-size human figures in an urban setting. Robert Longo´s art focuses on his never-ending investigation of the themes of power and authority, which also permeate his series of blackened American flags (Black Flags, 1989–91), and oversized handguns (Bodyhammers, 1993–95). Longo´s series, Monsters, which depict massive breaking waves, and The Sickness of Reason, featuring atomic bomb blasts, followed in 2002 and 2004. It was during the 1980s that Robert Longo started to produce editions, mainly lithographs. He then gradually developed a high-end print technique, Pigment Print, which allows him to reproduce his drawings perfectly. Robert Longo´s prints capture the same level of detail and emotional impact of the original drawings.

Robert Longo

Robert Longo is known for large-scale, hyperrealistic charcoal portraits that consider power, authority, and social unrest.

In his work, Robert Longo typically revisits elements that evoke as much fear as they do fascination – the atomic bomb, guns, crashing waves, and many others. Through these works, he delves into themes of life and death, aiming to provoke contemplation and elicit strong emotional responses from viewers.&nbsp;In this case, Longo’s strikingly realistic shark reminds us of a natural fear that most of us share, that of weapons in nature – sharks. In "Shark 15" the artist depicts a specular menacing beast with its mouth wide open and razor-sharp teeth pointing straight at the viewer. The immense power and threatening nature of the shark are amplified by the looming atmosphere.&nbsp;Longo's meticulous technique involves working and reworking charcoal into thick-textured surfaces, creating deep, blackened expanses and sharply contrasting whites. This approach results in photorealistic images that are both representational and softly elusive.

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“ I see the issue of life and death in everything I do. I'm trying to find answers. „

—Robert Longo