Best known for his photorealistic drawings, Longo explores imagery within a complex social and cultural forces. Robert Longo was born in 1953, in Brooklyn, New York, and has had a childhood fascination with mass media: movies, television, magazines, and comic books, which continue to deeply influence his art. One of the quintessential artists of the 1980s, Longo is perhaps best known for the writhing, dancing figures in his iconic Men in the Cities series.

The American artist´s drawings are, perhaps, his most iconic. They are as much about the content they depict as they are about the artist´s intense devotion to the practice of drawing. His amazingly deep, anthracite charcoal drawings show emotional motives. Perhaps the best known photorealist series of Robert Longo´s is Men in the Cities, depicting contorted, life-size human figures in an urban setting. Robert Longo´s art focuses on his never-ending investigation of the themes of power and authority, which also permeate his series of blackened American flags (Black Flags, 1989–91), and oversized handguns (Bodyhammers, 1993–95). Longo´s series, Monsters, which depict massive breaking waves, and The Sickness of Reason, featuring atomic bomb blasts, followed in 2002 and 2004. It was during the 1980s that Robert Longo started to produce editions, mainly lithographs. He then gradually developed a high-end print technique, Pigment Print, which allows him to reproduce his drawings perfectly. Robert Longo´s prints capture the same level of detail and emotional impact of the original drawings.

Robert Longo

Robert Longo is known for large-scale, hyperrealistic charcoal portraits that consider power, authority, and social unrest.

Robert Longo became established for his precise photo-realistic drawings, under the influence of mass media playing a major role on his work. His portraits engrave a distinctive feature, which display a three-dimensional effect, as if they could pop off the page and enter physical space at any time.

Contemplating the vastness of space, Robert Longo’s series "The outward and visible signs", to which this print belongs, continues his exploration of operatic themes. In this intensely drawn black and white image the Earth becomes a glowing ball of dust that seems to come out from the nowhere toward the astonished viewer, appealing to the sense of astonishment that human beings feel in front of the vastness of the universe.

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“ I think I make art for brave eyes. I don't want to make art that will pat you on the back and tell you everything is going to be okay. I want to make something that's much more confronting. You don't look at it, it looks at you as much as you look at it. „

—Robert Longo