The Turner prize winner and epicenter of the YBA movement. Hirst's emblematic art of our era revolutionizes the art market. Hirst is widely regarded as one of the most important artists working today, creating truly iconic artworks.

A genuine star of the Young British Artists (YBA) movement, Damien Hirst has always made a point of mixing up different media. Whether as a sculptor, an installation artist, a painter, or a printmaker, Hirst has produced many of the most spectacular and widely discussed works in recent years and helped to revolutionize the art market. Damien Hirst’s, For the Love of God, the diamond-encrusted replica of the skull of a thirty-five-year-old man from the thirteenth century, broke all records to become the most expensive contemporary artwork in the world. Damien Hirst´s artworks are truly emblematic icons of our era, with their recurring motives such as dots, butterflies, cows, sharks, skulls, pills, and pharmacy cabinets. His works, captivating and intense as they are, challenge our stereotyped concepts and beliefs. Damien Hirst’s shark, suspended in formaldehyde, The Physical Impossibility of Death in the Mind of Someone Living (1991), is widely recognized, as are his real butterflies suspended in paint or thousands of butterfly wings arranged in a mandala-like pattern – the famous Damien Hirst butterfly paintings. Since 1986 he has been producing the Spot paintings (sometimes called Dot Paintings), a series of paintings with evocative pharmacological titles, which display lines of colored spots. Damien Hirst´s Spot paintings and his Spin paintings became iconic series. Inspired by such diverse themes as life, death, art, science, and medicine, Damien Hirst’s art takes a direct and challenging approach to ideas about existence. The energy and inventiveness are also to be found in Damien Hirst's prints, which continue to stir controversy within the viewer with the same intensity.

Damien Hirst

Damien Hirst, a poster boy for the Young British Artists who rose to prominence in late 1980s London, is one of the most notorious artists of his generation.

In direct line with the Sanctum series, themselves following the artist’s large butterflies collage gloss paintings, Damien Hirst aims once again with the Psalm series to capture beauty, to seize and fix the ephemera. Adopting the gestures of an all-mighty collector, he meticulously arranges and composes each wing to better dominate.

Psalm - Benedictus Dominus accompanied by its evocative title recalls the infinite precision, the penetrating light, the dangerous fragility as well as the mesmerizing colours of Cathedrals’ and churches’ stain glass windows. The butterflies as if frozen in time upon a contrasting dark and sparkling background, seem to be on the threshold of life and the heavens. Undoubtedly Psalm - Benedictus Dominus calls to mind the mandala patterns, also named sacred circle or magic circle. Supports of meditation, the sand mandalas are meant to be destroyed after their contemplation in order to symbolize the impermanent or transitory character of the composed phenomenons. Damien Hirst tackles the evident ambiguity between the preserved perishable body and its uncertain resurrection.

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“ Sometimes you’re negative, sometimes you’re positive. If you see people as flies, you can see them as butterflies, small and disgusting or fragile and beautiful. „

—Damien Hirst