Best known for his photorealistic drawings, Longo explores imagery within a complex social and cultural forces. Robert Longo was born in 1953, in Brooklyn, New York, and has had a childhood fascination with mass media: movies, television, magazines, and comic books, which continue to deeply influence his art. One of the quintessential artists of the 1980s, Longo is perhaps best known for the writhing, dancing figures in his iconic Men in the Cities series.

The American artist´s drawings are, perhaps, his most iconic. They are as much about the content they depict as they are about the artist´s intense devotion to the practice of drawing. His amazingly deep, anthracite charcoal drawings show emotional motives. Perhaps the best known photorealist series of Robert Longo´s is Men in the Cities, depicting contorted, life-size human figures in an urban setting. Robert Longo´s art focuses on his never-ending investigation of the themes of power and authority, which also permeate his series of blackened American flags (Black Flags, 1989–91), and oversized handguns (Bodyhammers, 1993–95). Longo´s series, Monsters, which depict massive breaking waves, and The Sickness of Reason, featuring atomic bomb blasts, followed in 2002 and 2004. It was during the 1980s that Robert Longo started to produce editions, mainly lithographs. He then gradually developed a high-end print technique, Pigment Print, which allows him to reproduce his drawings perfectly. Robert Longo´s prints capture the same level of detail and emotional impact of the original drawings.

Robert Longo

Robert Longo is known for large-scale, hyperrealistic charcoal portraits that consider power, authority, and social unrest.

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Robert Longo's “Wall of Ice” is a monumental charcoal drawing that captures the imposing presence of a towering ice formation. Rendered with meticulous detail, the piece showcases Longo's signature photorealistic style, emphasising the intricate textures and luminosity of the ice. The artwork evokes a sense of awe and contemplation, highlighting the sublime beauty and fragility of natural phenomena.&nbsp;Reflecting on his artistic approach, Longo has expressed a desire to visualise the unseen or inaccessible:

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“ I have this fantasy that when I die, and my soul is floating out there, I’ll get to see the Earth. I’ll get to see the Moon, the stars. Then, I said why the fuck wait? I’ll do it myself. I want to make the stuff I can’t see. „

—Robert Longo