Best known for his photorealistic drawings, Longo explores imagery within a complex social and cultural forces. Robert Longo was born in 1953, in Brooklyn, New York, and has had a childhood fascination with mass media: movies, television, magazines, and comic books, which continue to deeply influence his art. One of the quintessential artists of the 1980s, Longo is perhaps best known for the writhing, dancing figures in his iconic Men in the Cities series.

The American artist´s drawings are, perhaps, his most iconic. They are as much about the content they depict as they are about the artist´s intense devotion to the practice of drawing. His amazingly deep, anthracite charcoal drawings show emotional motives. Perhaps the best known photorealist series of Robert Longo´s is Men in the Cities, depicting contorted, life-size human figures in an urban setting. Robert Longo´s art focuses on his never-ending investigation of the themes of power and authority, which also permeate his series of blackened American flags (Black Flags, 1989–91), and oversized handguns (Bodyhammers, 1993–95). Longo´s series, Monsters, which depict massive breaking waves, and The Sickness of Reason, featuring atomic bomb blasts, followed in 2002 and 2004. It was during the 1980s that Robert Longo started to produce editions, mainly lithographs. He then gradually developed a high-end print technique, Pigment Print, which allows him to reproduce his drawings perfectly. Robert Longo´s prints capture the same level of detail and emotional impact of the original drawings.

Robert Longo

Robert Longo is known for large-scale, hyperrealistic charcoal portraits that consider power, authority, and social unrest.

https://data.wengcontemporary.com/media/Robert_Longo_Collection_Content_Sheet__2024_F9yYqN4.pdf

<p>Robert Longo's "Cindy and Eric" are two pigment prints that revisit the photographic studies that served as the foundation for his iconic "Men in the Cities" series from the early 1980s. In this series, Longo captured sharply dressed individuals in dynamic, contorted poses, evoking a sense of struggle or dance. The subjects, Cindy and Eric, are portrayed in such expressive stances, encapsulating the tension and energy characteristic of the original series.</p>

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“ It is the picture, the image that it creates. But how it's made is important. What ends up happening is I showed my assistants how to work on the drawing style. But I touch everything. It's not like a movie. „

—Robert Longo